The Venue Sound QMEDIAMIX52 is a compact yet powerful audio mixing and management system designed for professional applications, featuring versatile inputs, precise control options, and robust connectivity in a durable, rack-mountable design.

The Q-Audio QMEDIAMIX52 media installation mixer features 3 stereo inputs, 2 microphone inputs and multimedia player with Bluretooth receiver, FM tuner, and USB input. Two stereo inputs are equipped with signal-present LEDs, rear-panel gain controls, and front-panel level control. A front-panel 3.5mm stereo jack input allows for easy connections for tablets and phones. There are two microphone inputs with rear-side 1/4 jack connectors. The mixer is tailored for voice with a 2-band EQ and on air switches for the microphone inputs. An adjustable auto talk-over function automatically reduces music levels when the microphone is used. The internal media player/tuner supports USB thumb drives up to 16GB/2000 songs, offering file/folder access, MP3 tag readout on a large LCD display, regular and random play sequences, elapsed/remain time modes, an FM tuner mode with RDS station display. The media player has a useful built in jingle player capable of playing up to three jingles, these can be scheduled or played via buttons on the front panel, this is perfect for announcements and advertising. The mixer has two stereo main outputs with independent level controls. Main output 1 features a 2-band front-side EQ and a 10-LED level meter, while main output 2 offers rear-side tone control, a mono switch, and a 100Hz high-pass filter. Both outputs have balanced TRS and Phoenix connectors, as well as unbalanced RCA connectors. An emergency input overrides the master output to play the emergency signal, and an output mute contact allows for external muting. The headphone section includes volume control and a front-side 6.3mm stereo jack. A feature packed mixer for installations in bars, restaurants, schools and more.

• 5 Channel Mixer with Media Player.
• Two stereo inputs with signal-present LEDs, rear gain controls, and front-level adjustments.
• Convenient front-panel 3.5mm stereo TRS input.
• Two microphone inputs with rear 1/4″ TRS connectors.
• Voice-specific 2-band EQ and “on air” switches for mic inputs.
• Adjustable auto talk-over for seamless music reduction during microphone use.
• FM tuner, USB thumb drives up to 16GB (2000 songs), jingle player with scheduled play mode.
• Jingle Player for Announcements and advertising.
• Two stereo main outputs with independent level controls.
• 2-band EQ for main output 1.
• Rear gain controls for each output.
• Balanced ¼” jack and Phoenix output connectors, plus unbalanced RCA connectors.
• Emergency input for automatic shutdown and emergency signal playback.
• Output mute contact for external muting control.
• Headphone section with volume control and front-side 6.3mm stereo jack.
• Rear Tone control for main output 2, with mono switch and 100Hz high-pass filter.
• RCA record output.
• Low noise Hi-Fi power supply for clean, reliable operation.
• Sturdy 1u 19″ metal case with detachable rack ears
• Signal/ Noise: > 82dB (Line)
• Crosstalk Damping: > 65dB (Line)
• THD: <0.05% (Line)
• Frequency Response: 20Hz – 20kHz
• AC IN (230V Setting): AC220-250V ~ 50Hz
• AC IN (115V Setting): AC110-120V ~ 60Hz
• Power Consumption: max. 18W
• Dimensions: 483 x 45 x 152mm
• Weight: 2.6kg

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Q Audio QMEDIAMIX52 Mixer appeared first on Sound Services.

Passive mono mixer with 6 balanced micro/line level input channels and 3 stereo auxiliaries. Microphone input with paging priority. Phantom power supply. Input level LED indicators. Suitable for PA and sound installations.

• Features:
  • Mixer/preamplifier
  • Microphone input with paging priority
  • Phantom power supply
  • LED output level indicators
• Inputs:
  • 6 balanced mics/lines
  • combo (XLR and 6.3 mm jack), 1,500 Ω 7.7 mV y 10,000 Ω 775 mV switchable
  • 3 stereo aux, 2 x RCA, 10,000 Ω 2.4 V RMS
• Outputs:
  • 1 balanced stereo master, XLR 120 Ω 775 mV RMS
  • 1 balanced mono master, 6.3 mm jack, 120 Ω 775 mV RMS
  • 1 balanced mono mix out, 6.3 mm jack 120 Ω 775 mV RMS
  • 1 line out, 2 x RCA 120 Ω 775 mV RMS
• Controls: Tone: master output bass, mid and treble
• Volume: inputs 1 to 12 and general volume (stereo and mono master)
• Frequency Response: 20-22,000 Hz
• Distortion: Harmonic: < 0.05% at 1 kHz
• S/N Ratio:
  • Microphones: > 103 dB
  • Aux/Line: > 103 dB
• Phantom Power: 18 V in mics. 1 to 6, selectable
• Priority: Mic. 1 depending on signal level, selectable
• Power Supply:
  • 230 V AC, 18 W and 24 V DC, 500 mA
  • 115 v AC on request
• Dimensions: 483 x 44 x 220 mm depth. 1 U 19″ rack
• Weight: 3 kg

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Fonestar MX-848 Mixer appeared first on Sound Services.

16 x 16 audio matrix with DSP and 8 GPIO. The NMX-1616 is an audio matrix with a digital signal processor (DSP) that offers a complete and versatile solution for handling and processing audio signals. With this matrix, sound systems can be configured with simple end-user control. It has powerful audio signal processing tools to match and enhance the signal to any venue or application, and get the best results for sound diffusion. It gives the installer the possibility to configure sound systems with multiple inputs and outputs. And gives the user an easy way to control the sound. It is based on an ADI SHARC 21489 architecture, with 40 floating point bits and a high processing power (400 MIPS, 1600 MFLOPS). It has 16 analogue inputs and 16 analogue outputs. In addition, it features a USB sound card input and output channel for PC playback and recording or use with video calling software. One of the outstanding features of the NMX-1616 audio matrix is its signal processing algorithms. The main ones include: Echo Cancellation (AEC) for video conferences. Feedback Cancellation (AFC) allows flexible placement of microphones and speakers, improving speech amplification and delivering audio where it is needed. Noise Suppression (ANS) effectively eliminates static noise other than speech. Automatic Gain Control (AGC) ensures that the inputs have an optimal level. In addition to other functions such as auto mix and priority control, it also has processing on signal dynamics such as parametric filters, graphic filters, noise gate, expander, compressor, delays, crossover and limiter. Each channel has a volume control that can operate independently or link two channels together to form a stereo channel. The assignment matrix allows inputs to be assigned to outputs with independent volume on each assignment. Achieving to select a different mix for each output. Up to 16 scenes that can be loaded and memory function with auto-save of the parameters selected in the last session. 8 GPIO ports to control actions on the matrix or other devices. For conference system applications, PTZ camera control is available for discussion monitoring. The matrix is equipped with powerful modular configuration software. You can configure each input channel with 5 different processing modules and each output channel with 4 processing modules. The processing algorithms are highly parameterised. It allows for great flexibility in configuration and customisation to provide a solution for each installation, such as audio distribution, conference systems, etc. The configuration software can manage several matrices to form a complex system. With the software it is possible to create customised control panels to run on touch screens, tablets or smartphones (Android and iOS). Where only the functions required for each user can be displayed. The matrix can be connected via an Ethernet port. It has UDP, RS-232 and RS-485 connectivity, and a communication protocol for integration with other control systems. Thanks to its flexibility, it can be used for voice applications such as conference systems or video call rooms and in music systems in restaurants, hotels, shopping centres, etc.

• Features:
  • Audio matrix with DSP, ADI SHARC 21489 architecture
  • 16 analogue inputs ( Microphone / selectable 48V line with Phantom).
  • 16 analogue outputs.
  • USB sound card input and output channel.
  • Algorithms: Echo Cancellation (AEC), Feedback Cancellation (AFC), Noise Suppression (ANS), Automatic Gain Control (AGC).
  • Signal processing with 5 modules per input channel including expander, compressor, noise gate, automatic gain control (AGC), priority, parametric filter, graphic filter, priority, acoustic feedback
  • cancellation (AFC) and delay. And 4 modules for each output channel between crossover, parametric filter, graphic filter, delay and limiter.
  • Two-channel stereo linking, Auto Mixing, Echo Cancellation (AEC), Noise Suppression (ANS), Matrix Volume Assignment, 8 GPIOs, 16 scenes, PTZ camera tracking control.
  • Ethernet connection and RS-232, RS-485 control port. UDP, RS-232 and RS-485 protocol.
  • Configuration software and modular user interface with App for touch screens.
• Inputs:
  • 16 balanced lines with gain selection in 3 dB steps: 0 dB to -48 dB. Signal level: 24 mV RMS (-30 dBu) ~ 6.15 V RMS (+18 dBu) 5.4K Ω. 110 dB dynamic range. Euroblock connector
  • Selectable phantom power 48 V (10 mA max.)
  • 1 x LAN port for local area network connection, RJ-45
  • 1 x RS-232 port, euroblock
  • 1 x RS-485 port, euroblock
• Outputs:
  • 16 balanced lines. Signal level: max. 6.15 V RMS (+18 dBu) 600 Ω. 112 dB dynamic range
  • Euroblock connector
• Controls:
  • Modular PC control software (input/output routing, DSP functions, equalisation, noise gates, compressor, gain controls, etc.)
  • App for customised user control interface.
  • UDP, RS-232 and RS-485 protocol for integration with other systems.
  • RS-232 and RS-485 for PTZ camera tracking control.
• Digital Audio: 48 KHz, 24 bits
• Latency: <3 ms
• Frequency Response: 20-20,000 Hz ±0.3 dB
• Distortion: THD+N harmonic: <0.002% @4dBu
• S/N Ratio: 112 dB
• Power Supply: 100-240 V AC, 50-60 Hz, 40 W
• Dimensions: 482 x 44 x 268 mm depth. 1 U 19″ rack
• Weight: 3.1 kg
• Optional:
  • NMX-WP: Wall control unit
  • TAB-10-16: 10” Android touch screen

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Fonestar NMX-1616 Audio Matrix appeared first on Sound Services.

8 x 8 audio matrix with DSP and 8 GPIO. The NMX-88 is an audio matrix with a digital signal processor (DSP) that offers a complete and versatile solution for handling and processing audio signals. With this matrix, sound systems can be configured with simple end-user control. It has powerful audio signal processing tools to match and enhance the signal to any venue or application, and get the best results for sound diffusion. It gives the installer the possibility to configure sound systems with multiple inputs and outputs. And gives the user an easy way to control the sound. It is based on an ADI SHARC 21489 architecture, with 40 floating point bits and a high processing power (400 MIPS, 1600 MFLOPS). It has 8 analogue inputs and 8 analogue outputs. In addition, it features a USB sound card input and output channel for PC playback and recording or use with video calling software. One of the outstanding features of the NMX-88 audio matrix is its signal processing algorithms. The main ones include: Echo Cancellation (AEC) for video conferences. Feedback Cancellation (AFC) allows flexible placement of microphones and speakers, improving speech amplification and delivering audio where it is needed. Noise Suppression (ANS) effectively eliminates static noise other than speech. Automatic Gain Control (AGC) ensures that the inputs have an optimal level. In addition to other functions such as auto mix and priority control, it also has processing on signal dynamics such as parametric filters, graphic filters, noise gate, expander, compressor, delays, crossover and limiter. Each channel has a volume control that can operate independently or link two channels together to form a stereo channel. The assignment matrix allows inputs to be assigned to outputs with independent volume on each assignment. Achieving to select a different mix for each output. Up to 16 scenes that can be loaded and memory function with auto-save of the parameters selected in the last session. 8 GPIO ports to control actions on the matrix or other devices. For conference system applications, PTZ camera control is available for discussion monitoring. The matrix is equipped with powerful modular configuration software. You can configure each input channel with 5 different processing modules and each output channel with 4 processing modules. The processing algorithms are highly parameterised. It allows for great flexibility in configuration and customisation to provide a solution for each installation, such as audio distribution, conference systems, etc. The configuration software can manage several matrices to form a complex system. With the software it is possible to create customised control panels to run on touch screens, tablets or smartphones (Android and iOS). Where only the functions required for each user can be displayed. The matrix can be connected via an Ethernet port. It has UDP, RS-232 and RS-485 connectivity, and a communication protocol for integration with other control systems. Thanks to its flexibility, it can be used for voice applications such as conference systems or video call rooms and in music systems in restaurants, hotels, shopping centres, etc.

• Features:
  • Audio matrix with DSP, ADI SHARC 21489 architecture
  • 8 analogue inputs ( Microphone / selectable 48V line with Phantom)
  • 8 analogue outputs
  • USB sound card input and output channel
  • Algorithms: Echo Cancellation (AEC), Feedback Cancellation (AFC), Noise Suppression (ANS), Automatic Gain Control (AGC)
  • Signal processing with 5 modules per input channel including expander, compressor, noise gate, automatic gain control (AGC), priority, parametric filter, graphic filter, priority, acoustic feedback cancellation (AFC) and delay. And 4 modules for each output channel between crossover, parametric filter, graphic filter, delay and limiter
  • Two-channel stereo linking, Auto Mixing, Echo Cancellation (AEC), Noise Suppression (ANS), Matrix Volume Assignment, 8 GPIOs, 16 scenes, PTZ camera tracking control
  • Ethernet connection and RS-232, RS-485 control port. UDP, RS-232 and RS-485 protocol
  • Configuration software and modular user interface with App for touch screens
• Inputs:
  • 8 balanced lines with gain selection in 3 dB steps: 0 dB to -48 dB. Signal level: 24 mV RMS (-30 dBu) ~ 6.15 V RMS (+18 dBu) 5.4K Ω. 110 dB dynamic range. Euroblock connector
  • Selectable phantom power 48 V (10 mA max.)
  • 1 x LAN port for local area network connection, RJ-45
  • 1 x RS-232 port, euroblock
  • 1 x RS-485 port, euroblock
• Outputs:
  • 8 balanced lines. Signal level: max. 6.15 V RMS (+18 dBu) 600 Ω. 112 dB dynamic range
  • Euroblock connector
• Controls:
  • Modular PC control software (input/output routing, DSP functions, equalisation, noise gates, compressor, gain controls, etc.)
  • App for customised user control interface.
  • UDP, RS-232 and RS-485 protocol for integration with other systems.
  • RS-232 and RS-485 for PTZ camera tracking control.
• Digital Audio: 48 KHz, 24 bits
• Latency: <3 ms
• Frequency Response: 20-20,000 Hz ±0.3 dB
• Distortion: THD+N harmonic: <0.002% @4dBu
• S/N Ratio: 112 dB
• Power Supply: 100-240 V AC, 50-60 Hz, 40 W
• Dimensions: 482 x 44 x 268 mm depth. 1 U 19″ rack
• Weight: 2.9 kg
• Optional:
  • NMX-WP: Wall control unit
  • TAB-10-16: 10” Android touch screen

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Fonestar NMX-88 Audio Matrix appeared first on Sound Services.

Mixer/preamplifier with 5-channel audio matrix assignable to 4 output zones with independent volume control. USB/SD player with FM radio tuner. Audio distribution in multi-zone installations with different music programmes. Independent output remote volume control.

• Features:
  • Mixer/preamplifier
  • Microphone input with paging priority
  • Matrix allocation of 5 input channels to 4 output zones
  • USB/SD player
  • Digital FM radio tuner – PLEASE NOTE that for good FM reception an external FM aerial will be required
  • 4 speaker zones with independent volume control
  • Remote zone volume control
  • Phantom power supply
• Inputs:
  • 1 balanced microphone, 6.3 mm stereo jack, 12 mV RMS
  • 1 balanced mic., combo (XLR and 6.3 mm jack), 12 mV RMS
  • 2 balanced mics./lines combo (XLR and 6.3 mm jack) adjustable, 12 mV RMS and 640 mV RMS
  • 1 stereo aux, 2 x RCA, 230 mV RMS
  • 1 stereo aux, 3.5 m jack, 450 mV RMS
• Outputs:
  • 4 balanced zones, XLR, 2.5 V RMS
  • Remote volume control for the zones
  • 1 stereo monitor, 6.3 mm jack, 1 V RMS
• Controls:
  • 4 micro allocation switches for zones 1 to 4
  • Inputs 1 to 4: volume control
  • Inputs 2 and 3: gain control
  • Zones 1 to 4: volume control
  • Monitor: volume control and zone selection
  • USB/SD player
  • FM tuner
• Frequency Response: 20-20,000 Hz
• Distortion: Harmonic: < 0.2 % to 1 kHz
• S/N Ratio:
  • Microphones > 65 dB
  • Aux/Line > 80 dB
• Phantom Power: 48 V in mics. 2 and 3, selectable
• Priority: Mic. 1 input level priority, selectable
• Power Supply: 230/115 V AC, 9 W
• Dimensions: 483 x 44.5 x 200 mm depth. 1 U 19″ rack
• Weight: 3.15 kg

The post Fonestar MX-867RU Zone Mixer appeared first on Sound Services.

Bluetooth®/USB/SD/FM player with recorder and mixer function. All the essentials you might require in an audio hub in one device. Plays, records and mixes microphone input with music. It incorporates a microphone input with priority function that automatically attenuates the music for voice transmission or announcements without worrying about touching the settings. Mixes the microphone signal with one of the multiple inputs or the Bluetooth player. The MIXPLAY-1 offers a multitude of inputs that give it great connectivity, being able to connect a digital input (optical or coaxial) and auxiliary inputs or line input. The player has several music sources: Bluetooth, USB or radio, making it a complete audio system. In addition, its recorder function allows you to record the microphone mix and all other inputs.
It offers three outputs for connection to audio amplifiers; being configurable as mono or stereo. Additionally, it is equipped with a subwoofer output for connecting an active subwoofer speaker to enhance the bass response of the music. Compact size. Occupies only 1 U 19” rack and includes the fixing mount to the 19” rack cabinet. MIXPLAY-1 is a versatile audio hub for any sound system. Distortion-free sound that provides a precise playback of your music. User-friendly and intuitive. Ideal for small installations with music and microphone, in shops, restaurants, gyms.

• Features:
  • Bluetooth/USB/FM player – PLEASE NOTE that for good FM reception an external FM aerial will be required
  • Recording function
  • Microphone input mixer with auxiliary or player
  • Microphone priority by signal level
  • Optical or coaxial digital audio input
  • Auxiliary inputs
  • 3 x master outputs
  • Stereo/mono selector for outputs
  • Output for active subwoofer
  • Bass, midrange, treble and balance control
  • Remote control of the player
• Frequency Response: 20-20,000 Hz
• Distortion:
  • THD+N: < 0.1% @ 1 kHz
  • S/N RATIO: Mic >60 dB
  • Aux >70 dB
• Inputs:
  • 1 x MIC balanced Micro. Combo (XLR + 6.3 mm) connector. Signal level 30 mV RMS (-30 dBV) / 600 Ω (@ balanced and unbalanced output 1 V RMS)
  • 2 AUX and LINE. 2 x RCA connector. Signal level: 350 mV RMS (-9 dBV) / 47K Ω (@ balanced 1 V RMS output). Signal level: 750 mV RMS (-2.5 dBV) / 47K Ω (@ unbalanced output 1 V RMS)
  • 1 x digital audio (optical or coaxial). Connectors, TOSLINK and RCA. Priority of the optical input over the coaxial input
• Outputs:
  • OUT 1 and OUT 2 unbalanced output. 2 x RCA connectors. Signal level: 1 V RMS (0 dBV), max. 6.5 V RMS (16 dBV) @ THD 1% / 1K5 Ω
  • OUT 3 balanced output. 2 x XLR connectors. Output level: 1 V RMS (0 dBV), max. 6.5 V RMS (16 dBV) @ THD 1% / 1K5 Ω
  • 1 x REC. 2 x RCA connectors. Signal level. 1 V RMS (0 dBV) / 1K5 Ω
  • 1 x Subwoofer. RCA connector. Signal level: 1 V RMS (0 dBV) / 1K5 Ω
  • 1 x Headphones. 6.3 mm stereo connector
• Functions:
  • Microphone priority by signal level over all other inputs, level selectable
  • Stereo/mono output selector
• PLAYER:
  • Bluetooth/USB/FM player
  • Supported MP3, WMA and WAV files
  • USB recorder of the microphone mix and AUX or Line inputs (does not record digital audio input)
  • USB sticks of 64 GB maximum, FAT32 and NTFS format
  • USB flash drive autoplay, starts playback automatically in USB mode on power-up
  • Playback mode memory (random, repeat)
• Controls:
  • Microphone volume
  • Input selector or player
  • Volume of AUX, LINE, DIGITAL and player inputs with balance, bass, mid and treble control
  • Mono/stereo selector for outputs
  • Player/recorder controls
  • GND lift ground disconnection
• Power Supply: 230/115 V AC, 7 W
• Dimensions: 433 x 45 x 155 mm depth. 1 U 19” rack
• Weight: 1.9 kg
• Accessories:
  • Remote control of the player
  • FM antenna
  • Power cable
  • Brackets for 19″ rack

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Fonestar MIXPLAY-1 Mixer & Media Player appeared first on Sound Services.