True diversity UHF wireless microphone system with four individually programmable channels that sync to each transmitter to set the carrier frequency, EQ settings, transmission power, and even the display backlight colour for identification. Transmitters are available as either rugged handheld microphones with a high-quality dynamic capsule in a full metal housing or as a compact bodypack with a choice of neckband or lavalier microphones, all with fully balanced signal connection. Twin BNC antennas can be connected at the rear of the receiver or to the front panel when 19″ rack-mounted using the supplied BNC extension cables. Channels are selectable for all 4 channels within the license-free UHF and duplex gap bands, arranged in 8 groups of 8-16 carrier frequencies. Both receiver and transmitter settings are programmed via a front panel full colour TFT display with a rotary encoder for parameter adjustments. Each channel has a further backlit display that corresponds to the display on each transmitter and sync’s wirelessly via an IR connection, avoiding the complication of multiple controls on each transmitter. For uncompromising wireless performance, the TU4 has been designed to provide a reliable and adaptable system for stage performances, conferences, theatrical productions and other vocal duties.

• Independent 7-band EQ for each channel
• True diversity antennas with internal distro
• Auto frequency sweep function
• Individual XLR outputs or single mix jack output
• License-free operation in UK and EU regions
• Additional ch.65 frequencies (823-832MHz) can be used with a PMSE license.
• Bodypack version supplied with both neckband and lavalier microphones
• Power supply: 12-18Vdc, 1000mA (mains adaptor supplied)
• Batteries: 4 x AA
• Carrier frequencies: 823-832 / 863-865MHz
• Wireless range: Up to 60m
• Antenna connection: BNC
• Beltpack transmitter:
  • Dimensions: 90 x 60 x 25mm
  • Weight: 74g (no battery)
• Headworn microphone:
  • Dimensions: 180 x 140 x 60mm
  • Weight: 28g
• Clothing clip microphone:
  • Dimensions: 27 x 12mmØ
  • Weight: 23g
• Receiver:
  • Dimensions: 205 x 185 x 44mm (1U)
  • Weight: 0.935kg

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Citronic TU1-N Wireless Microphone System appeared first on Sound Services.

True diversity UHF wireless microphone system with four individually programmable channels that sync to each transmitter to set the carrier frequency, EQ settings, transmission power, and even the display backlight colour for identification. Transmitters are available as either rugged handheld microphones with a high-quality dynamic capsule in a full metal housing or as a compact bodypack with a choice of neckband or lavalier microphones, all with fully balanced signal connection. Twin BNC antennas can be connected at the rear of the receiver or to the front panel when 19″ rack-mounted using the supplied BNC extension cables. Channels are selectable for all 4 channels within the license-free UHF and duplex gap bands, arranged in 8 groups of 8-16 carrier frequencies. Both receiver and transmitter settings are programmed via a front panel full colour TFT display with a rotary encoder for parameter adjustments. Each channel has a further backlit display that corresponds to the display on each transmitter and sync’s wirelessly via an IR connection, avoiding the complication of multiple controls on each transmitter. For uncompromising wireless performance, the TU4 has been designed to provide a reliable and adaptable system for stage performances, conferences, theatrical productions and other vocal duties.

• Independent 7-band EQ for each channel
• True diversity antennas with internal distro
• Auto frequency sweep function
• Individual XLR outputs or single mix jack output
• License-free operation in UK and EU regions
• Additional ch.65 frequencies (823-832MHz) can be used with a PMSE license.
• Bodypack version supplied with both neckband and lavalier microphones
• Power supply: 12-18Vdc, 1000mA (mains adaptor supplied)
• Batteries: 4 x AA
• Carrier frequencies: 823-832 / 863-865MHz
• Wireless range: Up to 60m
• Antenna connection: BNC
• Beltpack transmitter:
  • Dimensions: 90 x 60 x 25mm
  • Weight: 74g (no battery)
• Headworn microphone:
  • Dimensions: 180 x 140 x 60mm
  • Weight: 28g
• Clothing clip microphone:
  • Dimensions: 27 x 12mmØ
  • Weight: 23g
• Receiver:
  • Dimensions: 482 x 185 x 44mm (1U)
  • Weight: 1.500kg

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Citronic TU2-N Wireless Microphone System appeared first on Sound Services.

True diversity UHF wireless microphone system with 1, 2, or 4 individually programmable channels that sync to each transmitter to set the carrier frequency, EQ settings, transmission power, and even the display backlight colour for identification. Transmitters are available as either rugged handheld microphones with a high-quality dynamic capsule in a full metal housing or as a compact bodypack with a choice of neckband or lavalier microphones, all with fully balanced signal connection. Twin BNC antennas can be connected at the rear of the receiver or to the front panel when 19″ rack-mounted using the supplied BNC extension cables. Each channel is tuneable within the license-free UHF and regulated duplex gap bands, arranged in 8 groups of 8-16 carrier frequencies. Both receiver and transmitter settings are programmed via a front panel full colour TFT display with a rotary encoder for parameter adjustments. Each channel has a further backlit display that corresponds to the display on each transmitter and sync’s wirelessly via an IR connection, avoiding the complication of multiple controls on each transmitter. For uncompromising wireless performance, the TU-series has been designed to provide a reliable and adaptable system for stage performances, conferences, theatrical productions and other vocal duties.

• Independent 7-band EQ for each channel
• True diversity antennas with internal distro
• Auto frequency sweep function
• Individual XLR outputs or single mix jack output
• License-free operation (863-865MHz) in UK and EU regions
• Additional ch.65 frequencies (823-832MHz) can be used with a PMSE license
• Bodypack versions supplied with both neckband and lavalier microphones
• 2 x AA batteries supplied per transmitter
• Power supply: 12-18Vdc, 1000mA (mains adaptor supplied)
• Receiver:
  • Weight: 1.500kg
• Beltpack transmitter
  • Weight: 74g (no battery)
  • Dimensions: 90 x 60 x 25mm
• Headworn microphone
  • Weight: 28g
  • Dimensions: 180 x 140 x 60mm
• Lavalier microphone
  • Weight: 23g
  • Dimensions: 27 x 12mmØ
• Handheld transmitter
  • Weight: 354g (no battery)
  • Dimensions: 258 x 47mmØ
• Batteries: 2 x AA per channel
• Carrier frequencies: 823-832 / 863-865MHz
• Wireless range: Up to 60m
• Antenna connection: 2 x BNC

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Citronic TU2-C Wireless Microphone System appeared first on Sound Services.

True diversity UHF wireless microphone system with 1, 2, or 4 individually programmable channels that sync to each transmitter to set the carrier frequency, EQ settings, transmission power, and even the display backlight colour for identification. Transmitters are available as either rugged handheld microphones with a high-quality dynamic capsule in a full metal housing or as a compact bodypack with a choice of neckband or lavalier microphones, all with fully balanced signal connection. Twin BNC antennas can be connected at the rear of the receiver or to the front panel when 19″ rack-mounted using the supplied BNC extension cables. Each channel is tuneable within the license-free UHF and regulated duplex gap bands, arranged in 8 groups of 8-16 carrier frequencies. Both receiver and transmitter settings are programmed via a front panel full colour TFT display with a rotary encoder for parameter adjustments. Each channel has a further backlit display that corresponds to the display on each transmitter and sync’s wirelessly via an IR connection, avoiding the complication of multiple controls on each transmitter. For uncompromising wireless performance, the TU-series has been designed to provide a reliable and adaptable system for stage performances, conferences, theatrical productions and other vocal duties.

• Independent 7-band EQ for each channel
• True diversity antennas with internal distro
• Auto frequency sweep function
• Individual XLR outputs or single mix jack output
• License-free operation (863-865MHz) in UK and EU regions
• Additional ch.65 frequencies (823-832MHz) can be used with a PMSE license
• Bodypack versions supplied with both neckband and lavalier microphones
• 2 x AA batteries supplied per transmitter
• Power supply: 12-18Vdc, 1000mA (mains adaptor supplied)
• Receiver:
  • Weight: 1.513kg
• Beltpack transmitter
  • Weight: 74g (no battery)
  • Dimensions: 90 x 60 x 25mm
• Headworn microphone
  • Weight: 28g
  • Dimensions: 180 x 140 x 60mm
• Lavalier microphone
  • Weight: 23g
  • Dimensions: 27 x 12mmØ
• Handheld transmitter
  • Weight: 354g (no battery)
  • Dimensions: 258 x 47mmØ
• Batteries: 2 x AA per channel
• Carrier frequencies: 823-832 / 863-865MHz
• Wireless range: Up to 60m
• Antenna connection: 2 x BNC

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Citronic TU4-C Wireless Microphone System appeared first on Sound Services.

Available on license free Ch 70 with 4 switchable license free frequencies and fully synthesized PLL quartz tuning technology. The S4.04-SX wireless microphone system comes with a wireless beltpack, headworn microphone and a UHF wireless receiver.

• CH 0 – 863.150MHz
• CH 1 – 863.725MHz
• CH 2 – 864.150MHz
• CH 3 – 864.850MHz

All of these frequencies are on Channel 70 and are license free in the UK.

• Supplied with 1.5m XLR audio lead
• Clear and true transmission
• Receiver outputs: Balanced XLR socket -20 dBu for XLR mic inputs and Un-balanced 1/4″ jack socket +10 dBu for line / aux level inputs
• Average operating range: 30m
• Diversity receiver
• Adjustable squelch
• Receiver has robust metal housing
• Dynamic processor for crystal-clear sound

Wireless microphone transmitters will only work with their matching wireless microphone receivers from that manufacturers matching range of equipment. Digital wireless microphone transmitters and receivers are not compatible with or suitable for use as spare components in older analogue wireless microphone systems and vice-versa.

Up to 4 wireless microphone channels may be used simultaneously in Channel 70 using this and additional equipment.

Wireless microphone systems need to be connected to a public address PA sound system to work.

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Trantec S4.04/SX Wireless Microphone System appeared first on Sound Services.

Q- AUDIO have a range of entry-level audio products for those on a budget. The Q Audio mission is to deliver a great product that is simple to use, that offers great sound quality and is good value for money. These products are aimed at the domestic market but are still useful to the personal fitness, film and DJ industries.

PLL system with multi-channel receiver and built-in ACT system.

Set includes:

• 1 x 16 ch. UHF receiver
• 1 x aerobic flexible headset with in-built microphone and transmitter

For:

• Aerobics instructors
• Vocalists & singers
• Public speakers
• Zumba instructors
• Dance instructors
• Musicals & theatre
• Street performers
• Schools & colleges
• DJs & musicians
• Auctioneers
• Video & film makers

Specifications

• Wireless Channel/Frequency: Channel 70 (863-865MHz)
• Frequency response: 40Hz-15KHz ±3dB
• Audio Output Level: 400mV max
• Frequency: 863 – 865MHz
• Dynamic range: >100dB
• Signal To Noise Ratio: >100dB
• Headphone Frequency Response: 40Hz-15KHz +/-3dB
• Frequency Band: Channel 70
• The total harmonic distortion: <0.5%

Wireless microphone transmitters will only work with their matching wireless microphone receivers from that manufacturers matching range of equipment. Digital wireless microphone transmitters and receivers are not compatible with or suitable for use as spare components in older analogue wireless microphone systems and vice-versa.

Up to 4 wireless microphone channels may be used simultaneously in Channel 70 using this and additional equipment.

Wireless microphone systems need to be connected to a public address PA sound system to work.

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Q Audio QWM 1900 HS Headband Wireless Microphone System appeared first on Sound Services.

True diversity UHF wireless microphone system with four individually programmable channels that sync to each transmitter to set the carrier frequency, EQ settings, transmission power, and even the display backlight colour for identification. Transmitters are available as either rugged handheld microphones with a high-quality dynamic capsule in a full metal housing or as a compact bodypack with a choice of neckband or lavalier microphones, all with fully balanced signal connection. Twin BNC antennas can be connected at the rear of the receiver or to the front panel when 19″ rack-mounted using the supplied BNC extension cables. Channels are selectable for all 4 channels within the license-free UHF and duplex gap bands, arranged in 8 groups of 8-16 carrier frequencies. Both receiver and transmitter settings are programmed via a front panel full colour TFT display with a rotary encoder for parameter adjustments. Each channel has a further backlit display that corresponds to the display on each transmitter and sync’s wirelessly via an IR connection, avoiding the complication of multiple controls on each transmitter. For uncompromising wireless performance, the TU4 has been designed to provide a reliable and adaptable system for stage performances, conferences, theatrical productions and other vocal duties.

• Independent 7-band EQ for each channel
• True diversity antennas with internal distro
• Auto frequency sweep function
• Individual XLR outputs or single mix jack output
• License-free operation in UK and EU regions
• Bodypack version supplied with both neckband and lavalier microphones
• Power supply: 12-18Vdc, 1000mA (mains adaptor supplied)
• Batteries: 8 x AA
• Carrier frequencies: 823-832 / 863-865MHz
• Wireless range: Up to 60m
• Antenna connection: BNC
• Beltpack transmitter:
  • Dimensions: 90 x 60 x 25mm
  • Weight: 74g (no battery)
• Headworn microphone:
  • Dimensions: 180 x 140 x 60mm
  • Weight: 28g
• Clothing clip microphone:
  • Dimensions: 27 x 12mmØ
  • Weight: 23g
• Receiver:
  • Dimensions: 482 x 185 x 44mm (1U)
  • Weight: 1.513kg

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Citronic TU4-N Wireless Microphone System appeared first on Sound Services.

This innovative wireless microphone system works in both deregulated license free Ch 70 and licensable Ch 65 – you will need a Ch 38 license from Ofcom when using Ch 65

Up to 12 channels may be used at the same time

System includes:

• 1 x TXS-920 receiver
• 2 x TXS-900HSE beltpack transmitter
• 2 x HSE-80 headband microphone
• 2 x XLR lead

TXS-920

• 2 frequency ranges (E band: 823-832 MHz – channel 38 license required and 863-865 MHz – license free)
• 442 selectable channels
• Intermodulation-free presets, 4 groups with 8 channels each
• 12 intermodulation-free channels max. can be used in parallel (autoscan)
• SYNC function for transmitting the selected frequency to pocket transmitter TXS-900HSE or hand-held microphone TXS-900HT via infrared signal
• Autoscan with intermodulation detection
• True diversity system with removable antennas (BNC connection)
• Pilot tone squelch
• Volume and squelch controls
• LCD for indicating group/channel, frequency, RF receiving level, AF audio level
• XLR output (balanced) and 6.3 mm output (unbalanced) for each channel, switchable mic/line
• 6.3 mm output for mixed signal (line)
• Receiver has robust metal housing
• Supplied with PSU for receiver
• 482 mm (19″) rack installation of receiver using supplied mounting brackets
• Audio frequency range: 80-18,000 Hz
• Channels: 2
• THD: < 1%
• Dynamic range: > 100 dB
• RF S/N ratio: > 100 dB
• Admissible ambient temperature: 0-40 °C
• Audio signal receiver: line: 75 mV, mic: 7 mV (jack, unbalanced) line: 150 mV, mic: 15 mV (XLR, balanced) 75 mV (mix)
• Width receiver: 420 mm
• Height receiver: 42 mm
• Depth receiver: 183 mm
• Weight receiver: 2.3 kg
• Connections receiver: 2 x XLR, balanced, 2 x 6.3 mm jack, unbalanced 1 x 6.3 mm jack, unbalanced (mix)

TXS-900HSE

• 2 frequency ranges (E band: 823-832 MHz – channel 38 license required and 863-865 MHz – license free)
• SYNC function for the synchronisation with receivers TXS-900 and TXS-920
• Mute function
• Sensitivity can be adjusted in 3 steps
• LCD for indicating channel and battery status
• Belt clip
• Power supply via 2 x 1.5 V battery AA size (not supplied)
• Audio frequency range: 80-18,000 Hz
• Operating time: > 15 h
• Admissible ambient temperature: 0-40 °C
• Transmitting power: 10 mW
• Power supply transmitter: 2 x 1.5 V battery AA size
• Width transmitter: 65 mm
• Height transmitter: 110 mm
• Depth transmitter: 25 mm
• Weight transmitter: 90 g
• Connections transmitter: 1 x 3-pole mini XLR

HSE-80

• Microphone boom is worn on the left side of your face
• For vocal and speech applications
• Very comfortable to wear
• Secure fit also during extreme applications such as aerobics
• High-quality electret cartridge
• Type: headband microphone
• Transmission method: cable
• Polar pattern: cardioid
• System: electret
• Audio frequency range: 100-12,000 Hz
• Nominal impedance: 2.2 kΩ
• Sensitivity: 8.5 mV/Pa
• Maximum sound pressure: 110 dB
• Power supply: DC current  2-10 V
• Admissible ambient temperature: 0-40 °C
• Weight: 40 g
• Cable: 0.8 m

Wireless microphone transmitters will only work with their matching wireless microphone receivers from that manufacturers matching range of equipment. Digital wireless microphone transmitters and receivers are not compatible with or suitable for use as spare components in older analogue wireless microphone systems and vice-versa

Wireless microphone systems need to be connected to a public address PA sound system to work

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version

The post IMG Stageline TXS-920HSE-80/SET Wireless Microphone System appeared first on Sound Services.

This innovative wireless microphone system works in both deregulated license free Ch 70 and licensable Ch 65 – you will need a Ch 38 license from Ofcom when using Ch 65

Up to 12 channels may be used at the same time

System includes:

• 1 x TXS-900 receiver
• 1 x TXS-900HSE beltpack transmitter
• 1 x HSE-80 headband microphone
• 1 x XLR lead

TXS-900

• 2 frequency ranges (E band: 823-832 MHz – channel 38 license required and 863-865 MHz – license free)
• 442 selectable channels
• Intermodulation-free presets, 4 groups with 8 channels each
• 12 intermodulation-free channels max. can be used in parallel (autoscan)
• SYNC function for transmitting the selected frequency to pocket transmitter TXS-900HSE or hand-held microphone TXS-900HT via infrared signal
• Autoscan with intermodulation detection
• True diversity system with removable antennas (BNC connection)
• Pilot tone squelch
• Volume and squelch controls
• LCD for indicating group/channel, frequency, RF receiving level, AF audio level
• XLR output (balanced) and 6.3 mm output (unbalanced) for each channel, switchable mic/line
• 6.3 mm output for mixed signal (line)
• Receiver has obust metal housing
• Supplied with PSU for receiver
• 482 mm (19″) rack installation of receiver using supplied mounting brackets
• Audio frequency range: 80-18,000 Hz
• THD: < 1%
• Dynamic range: > 100 dB
• RF S/N ratio: > 100 dB
• Admissible ambient temperature: 0-40 °C
• Audio signal receiver: line: 75 mV, mic: 7 mV (jack, unbalanced) line: 150 mV, mic: 15 mV (XLR, balanced)
• Width receiver: 200 mm
• Height receiver: 42 mm
• Depth receiver: 183 mm
• Weight receiver: 1.1 kg
• Connections receiver: 1 x XLR, balanced, 1 x 6.3 mm jack, unbalanced

TXS-900HSE

• 2 frequency ranges (E band: 823-832 MHz – channel 38 license required and 863-865 MHz – license free)
• SYNC function for the synchronisation with receivers TXS-900 and TXS-920
• Mute function
• Sensitivity can be adjusted in 3 steps
• LCD for indicating channel and battery status
• Belt clip
• Power supply via 2 x 1.5 V battery AA size (not supplied)
• Audio frequency range: 80-18,000 Hz
• Operating time: > 15 h
• Admissible ambient temperature: 0-40 °C
• Transmitting power: 10 mW
• Power supply transmitter: 2 x 1.5 V battery AA size
• Width transmitter: 65 mm
• Height transmitter: 110 mm
• Depth transmitter: 25 mm
• Weight transmitter: 90 g
• Connections transmitter: 1 x 3-pole mini XLR

HSE-80

• Microphone boom is worn on the left side of your face
• For vocal and speech applications
• Very comfortable to wear
• Secure fit also during extreme applications such as aerobics
• High-quality electret cartridge
• Type: headband microphone
• Transmission method: cable
• Polar pattern: cardioid
• System: electret
• Audio frequency range: 100-12,000 Hz
• Nominal impedance: 2.2 kΩ
• Sensitivity: 8.5 mV/Pa
• Maximum sound pressure: 110 dB
• Power supply: DC current  2-10 V
• Admissible ambient temperature: 0-40 °C
• Weight: 40 g
• Cable: 0.8 m

Wireless microphone transmitters will only work with their matching wireless microphone receivers from that manufacturers matching range of equipment. Digital wireless microphone transmitters and receivers are not compatible with or suitable for use as spare components in older analogue wireless microphone systems and vice-versa

Wireless microphone systems need to be connected to a public address PA sound system to work

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version

The post IMG Stageline TXS-900HSE-80/SET Wireless Microphone System appeared first on Sound Services.

Q- AUDIO have a range of entry-level audio products for those on a budget. The Q Audio mission is to deliver a great product that is simple to use, that offers great sound quality and is good value for money. These products are aimed at the domestic market but are still useful to the personal fitness, film and DJ industries.

PLL system with multi-channel receiver and built-in ACT system.

Set includes:

• 1 x Receiver
• 1 x Beltpack Transmitter
• 1 x Headset
• 1 x Tie clip microphone
• Optional receiver audio jack extension lead

For:

• Aerobics instructors
• Vocalists & singers
• Public speakers
• Zumba instructors
• Dance instructors
• Musicals & theatre
• Street performers
• Schools & colleges
• DJs & musicians
• Auctioneers
• Video & film makers

Specifications

• Frequency response: 40Hz – 15KHz +-3dB
• Power Consumption: 100mA
• Battery: 2 x 1.5V
• Frequency: 863 – 865 MHz
• Dynamic range: >100dB
• Weight: 0.4KG
• Battery Life: 6 Hours
• Signal To Noise Ratio: >100dB
• Total harmonic distortion: <0.5%

Wireless microphone transmitters will only work with their matching wireless microphone receivers from that manufacturers matching range of equipment. Digital wireless microphone transmitters and receivers are not compatible with or suitable for use as spare components in older analogue wireless microphone systems and vice-versa.

Up to 4 wireless microphone channels may be used simultaneously in Channel 70 using this and additional equipment.

Wireless microphone systems need to be connected to a public address PA sound system to work.

See the ‘User Manuals’ tab on the left of this page – as manufacturers are making instruction sheets and user manuals available for download only and your purchase may not include a printed version.

The post Q Audio QWM 1900 BP Wireless Microphone System appeared first on Sound Services.